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Arakan Culture Sports
Arakanese Traditional Sports
There were various traditional sports as wide range of activity in Arakan like art of self-defence, kyun ( Arakanese style of wrestling and self-defense),elephat and horse race, bow race, sword with sword and spear with spear race, carriage pulling and long boat race. The purpose of all race were produced skilled warriors of the Kingdom for the Royal Army of Arakan. However, Both major sports of Kyun wrestling and long boat race have remained and popularized among the people of Arakan. Carriage pulling is still alive and some Townships are playing it traditionally during the full moon of Tapoe Htwe month. The several kinds of sport were lost throughout under the colonial rule.
Arakanese Wrestling - Kyun
Arakanese people have a long tradition of holding wrestling competitions during the annual festivals in their towns and villages. It is one of the Arakanese traditional sports which mainly based on physical ability to uplift the happiness and physical prowess. It's a kind of martial art. The skill of wrestling and making one's rival fall on to the ground while avoiding hid attack is called "Kyun".
Kyun - It derives from Kyar-Yun. Kyar" means "tiger" and "yun" means "quick". Therefore, the complete meaning of "Kyun" is the quick tiger. The Arakanese wrestler can be called as a quick tiger because of his ability in wrestling movements and techniques.
"Kyun" the Arakanese wrestling is very different from other wrestling and it has its own rules and disciplines not to get hurt each other. Wrestler first dances jumping and making special styles in the playground. The two wrestlers have to play three rounds. They are defined as an attacker and one defender. After finishing three rounds, the first attacker becomes the defender and also the first defender becomes the attacker. The attacker who can make the back of the defender falls up to the ground wins the playing round. The first prizewinner will be awarded the gold gong, one tickle weight and for the second prizewinner, the silver gong is awarded. The "Kyun" wrestling is usually performed at the pagoda festivals.
Carriage Pulling Event - Rahta-Swe-Pwe
We call carriage pulling event as "Rahta-swe-pwe" in Arakanese version, meaning that pulling a kind of tug-of-war. In these sports, two teams including at least 20 persons each side has to complete three rounds. In this event, "Rahta" is made of four big wheels and the wooden frame. On the frame, there are some decorations and some bamboo leaves. Originally, the winner group can get the chance to burn that bamboo leaves. Now a day, the winner groups are awarded the gold medal as the first prize.
There were various traditional sports as wide range of activity in Arakan like art of self-defence, kyun ( Arakanese style of wrestling and self-defense),elephat and horse race, bow race, sword with sword and spear with spear race, carriage pulling and long boat race. The purpose of all race were produced skilled warriors of the Kingdom for the Royal Army of Arakan. However, Both major sports of Kyun wrestling and long boat race have remained and popularized among the people of Arakan. Carriage pulling is still alive and some Townships are playing it traditionally during the full moon of Tapoe Htwe month. The several kinds of sport were lost throughout under the colonial rule.
Arakanese Wrestling - Kyun
Arakanese people have a long tradition of holding wrestling competitions during the annual festivals in their towns and villages. It is one of the Arakanese traditional sports which mainly based on physical ability to uplift the happiness and physical prowess. It's a kind of martial art. The skill of wrestling and making one's rival fall on to the ground while avoiding hid attack is called "Kyun".
Kyun - It derives from Kyar-Yun. Kyar" means "tiger" and "yun" means "quick". Therefore, the complete meaning of "Kyun" is the quick tiger. The Arakanese wrestler can be called as a quick tiger because of his ability in wrestling movements and techniques.
"Kyun" the Arakanese wrestling is very different from other wrestling and it has its own rules and disciplines not to get hurt each other. Wrestler first dances jumping and making special styles in the playground. The two wrestlers have to play three rounds. They are defined as an attacker and one defender. After finishing three rounds, the first attacker becomes the defender and also the first defender becomes the attacker. The attacker who can make the back of the defender falls up to the ground wins the playing round. The first prizewinner will be awarded the gold gong, one tickle weight and for the second prizewinner, the silver gong is awarded. The "Kyun" wrestling is usually performed at the pagoda festivals.
Long Boat Race
Long
Boat Race also known as Prying Loung Pwe is one of the famous and
favorite sports of Arakan. it has made an enjoment, the valuable
team-work lessons and friendly contest. The races are Long Boats(72
feets) and Short Boats(48 feets) powered by 29 rowers for Long Boat and
19 rowers for Short Boat. There are many competition Teams as groups
(Long Boats and Short Boats) from various Villages were participating
during the events. The Boats are made of Long Trees with being to be
straight and without disease and flaw.
The Long
Boat racing event has annually held in the Aung Tat tributary
stream during the three days of Full Moon of Kasune (May) in Shittaung
Temple Festival. The first winner team and second winner team are
awarded Championship Flags as a prize in a competition by Decision
Committee Board.
Carriage Pulling Event - Rahta-Swe-Pwe
We call carriage pulling event as "Rahta-swe-pwe" in Arakanese version, meaning that pulling a kind of tug-of-war. In these sports, two teams including at least 20 persons each side has to complete three rounds. In this event, "Rahta" is made of four big wheels and the wooden frame. On the frame, there are some decorations and some bamboo leaves. Originally, the winner group can get the chance to burn that bamboo leaves. Now a day, the winner groups are awarded the gold medal as the first prize.
The Arakanese and their History
the Arakanese (Burmese: ရခိုင်လူမျိုး, Rakhine pronunciation [ɹəkʰàiɴ lùmjó]; Burmese pronunciation: [jəkʰàiɴ lùmjó]; formerly Arakanese), is a nationality in Myanmar forming the majority along the coastal region of present day Rakhine State. They possibly constitute 5.53% or more of Myanmar's total population but no accurate census figures exist. Arakanese people also live in the southeastern parts of Bangladesh, especially in Chittagong and Barisal Divisions. A group of Arakanese descendants, living in the Chittagong Hill Tracts of Bangladesh are known as the Marma people. These Arakanese descendants have been living in that area since the Arakanese kingdom's control of the Chittagong region.
Arakanese descendants spread as far north as Tripura state in India,
where their presence dates back to the ascent of the Arakanese kingdom
when Tripura was ruled by Arakanese kings. In northeast India, these
Arakanese people are referred to as the Mog,
while in Bengali, the Marma (the ethnic Arakanese descendants in
Bangladesh) and other Arakanese people are referred to as the Magh people.
Arakanese in Myanmar
Arakanese in Myanmar
INTRODUCTION
Largely unknown to the Western world for much of its tur¬bulent
history, Arakan played a pivotal role in the exchange of cultures and
religions between India and Southeast Asia. For over a thousand years
the region which now forms the Rakhine State of the Union of Myanmar
(Burma) was an inde¬pendent state whose rich history is only slowly
being paid the attention it deserves. Stretching along the Bay of
Bengal, from the Naaf River which separates it from Bangladesh to Cape
Negrais in southern Burma, it occupies the narrow strip of land to the
west of the mountains of the Arakan Yoma (Range). Land and sea routes
connected it with Bengal to the west and Burma proper to the east,
routes that were travelled by peo¬ples, religions and cultures. When its
neighbours were weak, Arakan was able to expand its influence along the
coast to the east, west and south. At other times strong and aggressive
neigh¬bouring states would drive the Arakanese back to their home¬land
in the north or, at times, seek to conquer them.
Arakan’s heartland was in its north, based on the rich alluvial flood
plains of the adjoining Kaladan and Le-mro valleys. The earliest cities
were in the Kaladan valley, backed by hills and facing west, and were
thus open to influence from India and beyond. Subsequently cities were
founded west of the Le-mro River, more accessible to Burma proper. The
greatest city, Mrauk-U, bestrides the gap between these two valleys and
thus could control both. All these cities were accessible to the Bay of
Bengal through the tidal Mayu, Kaladan and Le-mro Rivers and their
tributaries.
From the early centuries of the present era Arakan was ruled by kings
who adopted Indian titles and traditions to suit their own environment.
Indian Brahmins conducted the royal cer¬emonial, Buddhist monks spread
their teachings, traders came and went and artists and architects used
Indian models for in¬spiration. In the later period, there was also
influence from Islamic courts of Bengal and Delhi. As an important
centre for trade and as a goal of Buddhist pilgrims it was also the
recipi¬ent of influence from other cultural centres in Southeast Asia.
But the peoples of Arakan – like their counterparts elsewhere In the
region – also followed older traditions connected with their land and
the spirits which guarded it. Many of these still survive in fertility
and spirit cults, or have been absorbed into the Buddhist Pantheon.
Arakan was discovered and forgotten by the rest of the world as its
power rose and fell. In the first century AD the Alexandrian geographer
Ptolemy knew it as Argyre, the land of silver, which was visited by
merchants from southern India. Chinese Buddhist pilgrims of the seventh
century knew it and the area of east Bengal within its cultural sphere
as A-li-ki-lo or Harikela. The Burmese inscriptions of Pagan and Ava
from the twelfth to fifteenth centuries refer to the Country as
Rakhaing, the Tibetan historians Rakhan, and the Sri Lankan chronicles
Rakhanga. Portuguese explorers from the fifteenth century call it
Rachani and Aracan, and were followed in this by the later Dutch and
English traders. The spelling ‘Arakan’ became standard in the eighteenth
century.
After Arakan was annexed to India by the British in 1826 a number of
scholar-administrators began to study in antiqui¬ties, and in 1889 Dr
Emil Forchhammer, a Swiss Pali scholar employed by the Government of
India, undertook a survey
of the sites of the old cities and the major monuments. His
com¬prehensive account remains the best to date. Later archaeolo¬gists
found sites like Pagan in central Burma more accessible and attractive
than those in remote and malarial Arakan, al¬though the region was
visited briefly by Charles Duroisclle all 1920 and by U Lu Pe ‘Will in
1940, Nevertheless, the sites always attracted Arakanese scholars,
especially U San Shwe Bu who worked with British colleagues in the
writing, of Arakanese history. A resurgence of interest led by key
Arakanese in the Burmese central government in the 1970s led to further
study being undertaken by Professor of architecture U Myo Myint Sein and
to the present writer’s work on the cultural history of the early
period. Some Vesali sites were excavated in the 1980s by the present
Director-General of the Department of Archae¬ology in Myanmar, U Nyunt
Han. Recognising the tourist potential of the region, the government
declared the old city of Mrauk-U a Heritage area in 1996. It is now
committed to funding restoration of key shrines, and excavation of the
place sites of Vesali and Mrauk-U underway.
HISTORICAL OVERVIEW
We cannot be sure who the earliest inhabitants of Arakan were. Most
probably they included some minor¬ity groups still surviving in the
remoter areas: the Chin, the Mro and the Sak. The dominant group today,
the Rakhaing, appear to have been an advance guard of Burmans who began
to cross the Arakan Yoma in the ninth century. The traditional histories
of the country claim the origins of the Arakanese people in a remote
past when the legendary hero-ancestor of the Arakanese, Marayu, founder
of the first city, Dhanyawadi, is said to have married the daughter of a
Mro chief and to have cleared the country of Bilus, demon-like
creatures who may have been Chills. These histories incorporate earlier
traditions and legends.
From around the 4th century other sources begin to contrib¬ute to our
interpretation of the history of the country. Most important are the
art and architecture which tell the story of the development of
religious ideas and beliefs and help us lo¬cate the origins of these
through all analysis of their style. The political history is outlined
in the inscriptions of the rulers, notably those of the Shit-thaung
pillar, a great stone stele in¬scribed by kings from the 6th century and
carried from capital to capital until it reached Mrauk-U in the 16th.
The lists of kings the inscriptions contain are verified by coins
bearing their names. And we have local histories, mostly written by
Bud¬dhist clergy, recounting stories of kings and shrines and draw¬ing
in part from an earlier oral tradition.
Buddhist traditions are the most important in the formation of
Arakan’s culture, as indeed, is the case in the rest of Burma. As with
other sites in Burma and in the rest of Southeast Asia, these traditions
tell of the Buddha flying to the city of Dhanyawadi, accompanied by his
disciples, and converting King Candrasuriya (“Sun-and-Moon”), after
which he con¬sented to have an image of himself made in commemoration of
the event. This was the famous Mahamuni (“Great Sage”) image, known
throughout the Buddhist world and desired by kings who sought to conquer
the country in order to carry away this powerful prize. The history of
this image is entwined with that of Arakan.
The tradition of the origin of the Mahamuni image can be interpreted
as an allegorical account of the introduction of Buddhism to Arakan. The
first evidence we have of Buddhism is in the early sculpture of the
Mahamuni shrine at Dhanyawadi.
DHANYAWADI
CIRCA MID-4TH TO EARLY 6TH CENTURIES AD
Dhanyawadi (Pali Dhannavati, “grain-blessed”) was a city typical of
the earliest phase of urbanization in Southeast Asia during the first
centuries of the Christian era. While ele¬ments of its culture
undoubtedly derived from India, it shares many characteristics with
other centres in mainland Southeast Asia linked by the sea, the Pyu
polities of present-day Burma, and the Mon of Dvaravati in Thailand and
Oc-Eo in southern Vietnam.
Located in country with the capacity to produce three crops of paddy
rice a year, Dhanyawadi had access to the hills and the products of the
hill tribes such as beeswax and stick-lac, as well as to the sea via the
Tharechaung, a tributary of the Kaladan River. During the early
centuries of the present era maritime trade between China, India and
Europe was stimulated by the interruption of the central Asian overland
trade routes. India’s demand for gold, and the Roman empire’s demand for
the ex¬otic products of the Orient, led traders from India and the
Middle East – often Arabs – to explore alternative sources. This brought
Arakan into new trading networks. Contact with In¬dia brought new
ideas. Later inscriptions and local historical traditions remember
ancestors who were probably local chiefs, who adopted Indian religion
and statecraft to increase their power and become kings.
This process, generally referred to as “Indianization” was an
extension of the spread of certain aspects of south Asian civili¬zation
which had been taking place for over a millennium in India itself,
diffusing eastward and southward from its centre in the northwest of the
Indian subcontinent until it finally reached western Southeast Asia:
what is now Burma, Thailand, Southern Vietnam, Cambodia and the western
sectors of Indo¬nesia. The concept of divine kingship, which had been
im¬plicit in the Indian tradition, became explicit in Southeast Asia
where the rulers sought to validate their hold over different ethnic
groups and to control the means of production in a context wider than
the traditional village.
Professor Paul Wheatley has described the transformation of village
culture to the civilization of the city-state in terms of the changes in
society which this “Indianization” brought about. The maintenance of a
state appropriate to kingship required the ministrations of increasing
numbers of craftsmen and arti¬sans, the most skilled of whom were often
accommodated within the royal compound. It required the labour of a
peas¬antry who contributed the surplus produce of their fields as a tax
in kind for the support of the court, and a band of armed retainers who
acted as household guards, organised the peas¬antry as militia and
enforced the authority of the ruler. Mate¬rial defences – walls and
moats protecting the palace and the city – were constructed and the
city-state, the nagara, evolved. These transformations saw the tribal
chieftain replaced by a divine king, shaman by brahmin priest, tribesmen
as cultiva¬tors by peasants, tribesmen as warriors by an army, and
fa¬voured the development of occupational specialisation. They were
reflected in the conversion of the chief’s hut into a pal¬ace, the
spirit house into a temple, the object of the spirit cult into the
palladium of the state, and the boundary spirits which previously had
protected the village into Indianized Lokapalas presiding over the
cardinal directions.
This process can clearly be traced in Arakan, which received Indian
culture by land from Bengal and by sea from other parts of India. The
Anandacandra inscription on the Shit-thaung stele, after listing the
ancestral monarchs, says that a king called Dvan Candra, possessed of
righteousness and fortune, conquered 101 kings and built a city “which
laughed with heavenly beauty” sur¬rounded by walls and a moat. From the
inscription we can de¬duce that Dvan Candra ruled from around 370-425AD,
and that he was the founder of the Dhanyawadi of the chronicles.
Lying, west of the ridge between the Kaladan and Lc-mro riv¬ers,
Dhanyawadi could be reached by small ships from the Kaladan Via the its
tributary, the Tharechaung. Its city walls were made of brick, and form
an irregular circle with a perimeter of about 9.6 kilometres, enclosing
an area of about 4.42 square kilometres. Beyond the walls, the remains
of a wide moat, now silted over and covered by paddy fields, are still
visible in places. The re¬mains of brick fortifications can be seen
along the hilly ridge which provided protection from the west. Within
the city, a similar wall and moat enclose the palace site, which has an
area of 0.26 square kilometres, and another wall surrounds the palace
itself.
As was the case in the contemporary Pyu cities of central Burma, the
majority of the population would have lived within the outer city, whose
walls also enclosed the fields in which they worked. At times of
insecurity, when the city was subject to raids from the hill tribes or
attempted invasions from neigh¬bouring powers, there would have been an
assured food supply enabling the population to withstand a siege. The
city would have controlled the valley and the lower ridges, supporting a
mixed wet-rice and taungya (slash and burn) economy, with local chiefs
paying allegiance to the king.
From aerial photographs we can discern Dhanyawadi’s irri¬gation
channels and storage tanks, centred at the palace site. Throughout the
history of Arakan, and indeed the rest of early Southeast Asia, the
king’s power stemmed from his control of irrigation and water storage
systems to conserve the monsoon rains and therefore to maintain the
fertility and prosperity of the land. In ceremonies conducted by Indian
Brahmins the king was given the magic power to regulate the celestial
and terrestrial forces in order to control the coming of the rains which
would ensure the continuing prosperity of the kingdom.
The renowned Mahamuni shrine is situated on a hill north¬east of the
palace site. This may have been the location of an earlier fertility
cult, controlled by local chiefs and absorbed into Buddhism as Indian
influence strengthened. The shrine was to become the centre of a
Buddhist cult but would incorporate earlier beliefs surrounding the
spirits of the earth and the pro¬tectors of the land. While the shrine
was attacked, destroyed and rebuilt many times over the centuries, and
its holy image finally transported to the Burmese capital of Mandalay
after the conquest of Arakan in 1784, many ancient and now badly dam-
Sculptures still remain. Traditionally regarded as deities protecting
the central image, they are stylistically comparable to the art of the
late Gupta period in India, from around the fifth and sixth centuries
AD. There are indications that the dei¬ties they represent belong to the
Mahayana Buddhist pantheon.
VESALI- CIRCA 6TH TO 8TH CELNI LRIES AD
Some nine kilometres south of Dhanyawadi is the next im¬portant city,
Vesali (Wethali), founded around the begin¬ning of the sixth century
and named after the Indian city of Vaisali, famous in Buddhist
tradition. We do not know pre¬cisely when the centre of power moved to
Vesali, but inscrip¬tions and sculptures found in the vicinity of the
city can be dated from around the sixth century. Vesali is flanked by
the Rann-chaung, a tributary of the Kaladan, to the west, and the ridge
between the Kaladan and Le-mro Rivers to the east. As at Dhanyawadi we
find an oval-shaped city wall encompassing an area of seven square
kilometres, protected by a moat which still fills with water in the wet
season. In its centre the palace site, also surrounded by a moat,
contains a royal lake. More easily reached by the overland route from
India, it also took advantage (if increased trade in the Bay of Bengal
at the time and its influence spread to southeast Bengal. Its material
re mains show that it was in contact not only with the Pyu of central
Burma but also the pre-Angkorian cultures further east. As was the case
at Dhanyawadi, there was a large temple com¬plex to the northeast of the
palace. Excavations in the 1980s unearthed the remains of a Buddhist
monastic complex and a royal shrine containing the stone image of a
bull. This was the royal insignia of the Candra dynasties which ruled at
both Dhanyawadi and Vesali and who claimed to belong to the lin¬eage of
the Hindu god Siva, although they themselves pro¬fessed Buddhism,
probably of the Mahayanist persuasion. Such religious synthesis was not
unusual in Southeast Asia, where Brahmins of Indian origin have
traditionally conducted the royal ceremonial which Buddhism, disdaining
class hierarchy, did not aspire to, even in Buddhist courts.
Our knowledge of the history of this period is based not only on the
archaeological remains, but also on inscriptions, impor¬tantly those on
the pillar now preserved at the Shit-thaung tem¬ple at Mrauk-U. The
Shit-thaung pillar inscription of Anandracandra, who ruled Vesali in the
8th century, records a genealogy of some 22 kings ruling from the late
4th century, the earlier kings probably at Dhanyawadi. Anandacandra is
described as a Buddhist who established monasteries, caused images to be
made, and welcomed monks from other lands including the Buddhist clergy
of Sri Lanka, to whom he sent an elephant and robes. He did not neglect
other religions, repairing “deva” shrines, probably Hindu in character
which were erected by former kings, and establishing buildings for the
local Brahmins, whom he also provided with land, servants and musicians.
Amongst the sculptural remains from Vesali there are stone and bronze
votive stupus which give us an idea of the architec¬ture of the time,
Buddha images showing contact with the Pvu of central Burma and the
monastic establishments of Bengal, and a remarkable series of Visnu
images, indicating the impor¬tance of that sect.
Although the extent of the lands controlled by the Dhanvawadi,
Vesali, Le-mro and Mrauk-U kings would have changed under differing
political and economic circumstances, the spread of historical remains
indicates that from around the 6th century most of the Kaladan and
Le-mro valleys came within their influence. So, for example, the
discovery of a Vesali period Hindu shrine within the walls of Mrauk-U,
for instance, gives an indication of the extent of the lands controlled
by that city. Contact with the Pyu of central Burma is evidenced by a
Pall inscription found in Mrauk-U, and another in Pyu script from
Thandwe (Sandoway).
From the middle of the 8th century east Bengal, Arakan and the Pyu
cities of central Burma were disrupted by waves of incursions of
Tibeto-Burman-speaking peoples. These were the Mranma (in modern
Burmese, Myanmar) who were eventu¬ally to make Pagan their capital, and
the people who were to rule Arakan and call themselves Rakhuin
(Rakhaing).
In the 9th or 10th century the administrative centre may have moved
to the Mrauk-U area. The chronicles record the building of two new
cities on the Mrauk-U plain, the last over¬run by invaders from the
west. Some recent discoveries dating from this period show that close
links with Eastern India had been maintained.
CITIES OF THE LE-MRO VALLEY- 11TH-15TH CENTURIES
With the rise of the Burmese capital at Pagan a series of small
Arakanese cities, Sambawak, Parein, Hkrit, and Launggret, succeeded each
other on the lowlands west of the Le-mro River, while Toungoo Neyinzara
was on its eastern side. This location gave these cities more access to
Burma than their predecessors had. Smaller than their predecessors,
almost noth¬ing remains of their walls and palaces.
The first capital, Sambawak was believed to have been founded by a
descendant of the Candra kings of Vesali in 1018 AD. The power of Pagan
was reaching its zenith at the time, and though access was difficult
across the Arakan Yoma, Pagan kings often attempted to raid Arakan and
to carry away its palladium, the Mahamuni image. Instead of being a
country whose influence was felt in Bengal, Arakan became a tributary of
Pagan and her power curtailed. Her cities were small and her hold on
more remote territories weak. According to the chronicles, a usurper
ultimately ascended- the throne and the royal family had to take refuge
at the Burmese king Kyanzittha’s court at Pagan. When the rightful line
was restored with the assistance of the Burmese, King Letya-min-nan
moved the capi¬tal to Parein in 1 118 AD. Launggret was founded in 1237
AD, at a time when Pagan’s power was beginning to wane, and after a few
years managed to become independent and began to again expand its
authority to Bengal to the west and Cape Negrais to the south. The art
of this period is strongly influenced by that of Pagan and reflects
increasing religious contact with Sri Lanka, then the centre of
Theravadin Buddhism.
In 1404 AD Burmese forces occupied Launggret and drove out the king,
Min Saw Mun, who fled to.the Sultanate of Gaur in Bengal. Islam had been
taking hold in Bengal from the 13th century, and the Bengal Sultanate,
independent of Delhi, was founded in the mid-14th century. It was
natural that Arakan, threatened from the west, should turn to its
eastern neighbour with which it had centuries of contact. Weak but
strategically desirable, it became a pawn in the struggle for power
between the Burmans, now with their capital at Ava, and the Mons of
lower Burma, with their capital at Pegu.
It is said that Min Saw Mun returned to Arakan with the assistance of
an armed levy from the Sultan of Gaur. Following the advice of his
astrologers he left the ill-omened Launggret and founded the last of the
old great capitals, Mrauk-U, in 1433.
MRAUK-U 1433-1785 AD
The Portuguese Jesuit, Father A. Farrinha, SJ, who trav¬elled to
Mrauk-U in 1639, wrote Mrauk-U, called Arakan by the many foreigners who
visited it, occupies a unique site. Situated in low land within a
series of parallel ranges it commands both the Kaladan and Le-mro
valleys and has access to the two main rivers, and therefore the Bay of
Bengal, by both land and water.
After Min Saw Mun’s return, the country remained tributary to the
Bengal Sultanate for a hundred years. The kings, though Buddhists, used
Mohammedan titles in addition to their own names, some issuing coins
bearing the kalima, the Muslim dec¬laration of faith, in Persian script.
Min Saw Mun’s brother, All Khan, managed to occupy the Bengali coastal
town of Ramu and his son Ba Saw Pru, also known as Kalimah Shah, is said
to have occupied Chittagong.
The twelfth king of the line, Min Bin, who ruled from 1531 to 1553
saw Arakan reach the height of its power. Two factors assisted him in
this: the arrival of the Portuguese and civil war in Bengal.
In the sixteenth century the Portuguese were the world’s fin¬est
mariners. They arrived in the Bay of Bengal seeking to con¬vert the
heathen to Catholicism, and in doing so to promote trading
opportunities. The Arakanese saw that by granting ter¬ritorial
concessions and trade openings, they could benefit through the
Portuguese mastery of seamanship and their mod¬ern knowledge of arms and
fortification. Min Bin thus turned Mrauk-U into the strongest fortified
city of the Bay of Bengal, employing Portuguese to lay out his walls
and moats and to forge and mount his cannon. He appointed them as
military officers to train and equip a mercenary army of many races, and
built, with their aid, a large fleet manned with his own men. It was
during his reign that the Mrauk-U architectural style, draw¬ing on
Burmese, Mon and Bengali prototypes, developed. The Rakhaing navy became
the scourge of the Bay of Ben¬gal, taking slaves from up and down the
coast as well as trad¬ing rice for luxury products for its aristocracy.
The Portuguese recorded that the navy comprised three hundred and fifty
ves¬sels. Ships coming from the Bay of Bengal usually approached via the
Mayu River. There was a customs checkpoint at Kwede, at the beginning
of the river of that name which joins the Mayu with the Kaladan. Upriver
were trading posts for the produce of the region, cotton goods and
rice.
That Mrauk-U controlled the economy of the Kaladan and Lc-mro valleys
and their hinterlands can be seen not only in the widely scattered
remains of religious buildings and Bud¬dha images of the period but also
in signs of occupancy of other centres essential for trade and the
defence of the city. In 1630 the Portuguese traveller Sebastian Manrique
found a massive image of the Buddha at the head of a pass guarding the
land route to Bengal. Punnakvun, on the left bank of the Kaladan River,
was strategically placed to control access by water to Mrauk-U, and was
the site of its naval base. The Urittaung pagoda stands on a low, but
steep and rocky hill opposite Punnyakyun. To the west of the pagoda are
two large and several smaller tanks. The ground here is strewn with
earth¬enware shards indicating a long period of settlement.
Meanwhile, in Bengal, the Mughals had arrived. The emperor Humayan
conquered the Sultanate of Gaur, thus initiating a long period of civil
war. Min Bin took advantage of this opportunity and occupied east Bengal
with a combined fleet and army movement. The province remained a vassal
of Arakan for the next one hundred and twenty years, till 1666. Its
administra¬tion was left in the hands of twelve local rajas, who paid an
annual tribute to the Arakanese king’s viceroy at Chittagong.
From the west, Min Bin was threatened by the powerful Bur¬mese king
‘Tabinshweti, who had already conquered the Mon country and was making
war against the Thais at Ayuthia. Tabinshweti invaded Arakan in 1546-7
with the help of his Portuguese mercenaries and Mon levies. When the
Burmese penetrated the eastern defences of the city, Min Bin opened the
sluices of his great reservoirs and halted their advance. The Arakanese
chronicles tell us that the Burmese, unable to make headway, accepted
the intercession of the Buddhist monks. The opposing leaders met, had
amicable discussions and the Bur¬mese returned home.
The Portuguese Jesuit Sebastian Manrique, describing a simi¬lar
procession before the coronation of King Sanda-thu¬dhamma wrote The
Nobles and the other men of rank gather at the palace whence, amongst
music of all kinds, a huge elephant emerged, richly caparisoned, with
his ivory tusks adorned with rings of gold and jewels. He carried on his
back a howdah made of silver. It was open on all four sides except for
curtains of green and gold silver veiling. Inside it was a tray of gold
set with precious stones of immense value, which bore the royal order
containing the proclamation of the coronation. Just in front, before the
howdah, sat the Chique, or chief-justice at the Court, clothed in white
silver cloth covered with plaques of gold. In front of him was the
elephant-driver or cornaca in his usual place. He was dressed in red
damask and carried in his hand the accustomed implement with which that
land vessel is guided, in his instance of the finest gold. He was
followed in due order by thirty-two war elephants, dressed in silken
cloths and ornamented with gold, bearing the usual uncovered howdahs on
their backs, made of wood but covered with silver plates. They carried
huge silver bells around their necks and had rings of this same metal on
their tusks. Each elephant had four silken banners of various colours
fastened to the howdah which trembled in the light breeze and acted as
flapping fans for their heated bodies.
When, in the east, the Mughal Emperor Akbar consolidated his hold on
central and western Bengal, Min Bin’s successor Raza-gri protected his
eastern frontier with the aid of a menac¬ing group of Portuguese slavers
and adventurers settled near Chittagong, to whom he gave trade
concessions.
In 1595 the Arakanese besieged and conquered the Mon capital of Pegu,
deporting 3,000 households, and taking back a white elephant and a
daughter of the fallen king, bronze cannon and the thirty bronze images
which the Burmese king Bayin-naung had earlier seized when he conquered
Ayuthia. They left in charge Felipe de Britoy Nicote, one of their
Portuguese merce-naries. For a short period Arakan extended from Dacca
to Moulmein, a narrow coastal strip some thousand miles long.But the causes of Arakan’s greatness were also the causes of its
downfall. The thousands of Mughal, Burmese, Mon, Siamese and Portuguese
mercenaries and prisoners of war did not bear a strong allegiance to the
king. With mercenary support a pre¬tender, Narapati, came to the throne
in 1638, and Arakan’s power began to decline. The influence of the
Portuguese also waned as the Dutch gained commercial advantage in the
Bay of Bengal. King Sanda-thudamma temporarily restored the country’s
glory by allowing the Dutch to settle at Mrauk-U. Wanting to strike at
Catholicism in Ceylon, the European new¬comers facilitated the sending
of Arakanese monks there to revive the Buddhist ordination rites which
had been in decline under the Portuguese.
Father Sebastian Manrique recorded that ……the city of Arracan
according to general opinion must have contained one hundred and sixty
thousand Inhabitants, excluding foreign merchants, of whom there was a
great influx owing to the large number of-ship trading with this port
from Bengala, Musulipattam,Tenasserim, Martaban,Achem and Jacatara.
There were some other foreigners, too, some being merchants and some
soldiers, the latter being enlisted oil salaries, and were, as 1 have
said, Portuguese, Pegus, Burmese and Mogors .Besides these there were
many Christians of Japanese, Bengal and other nationalities.
Meanwhile, in India, Shah Shuja, the Mughal pretender who had been
provincial viceroy in Bengal, was defeated by his brother Aurangzeb who
became Emperor at Delhi. Shah Shuja sought refuge at the Arakanese
court, where King Sanda¬thudhamma is said to have lusted not only after
his immense treasure but also his daughter. Shuja in desperation
attempted to overthrow the city, but was defeated and executed along
with his family. In retaliation the Mughals broke the power of the
Arakanese in east Bengal, enslaving many who had been slav-ers and
inducing the Portuguese to change their allegiance.
Many of Shuja’s Indian followers are said to have remained in Arakan,
where they were employed as archers of the guard and proceeded to
murder and set up kings at will. Mrauk-U’s decline continued for a
century. The country was beset with civil war and by a series of natural
disasters such as awesome earthquakes, although the Arakanese continued
to raid the Bengal coast as late as the middle of the eighteenth
century. As soon as the kings of Burma regained their power under the
Alaungpaya dynasty, the Peguan territories were lost and Arakan’s
southern borders were withdrawn to Cape Negrais.
After Sanda-thudhamma Arakan survived as a polity only because it had
no aggressive neighbour. The Moghuls had ceased to be an expanding
power, and Burma was becoming preoccu¬pied with the British. The power
of the last of the many kings of this period could extend only a few
miles beyond the walls of Mrauk-U. It came to an end in 1784 when the
Burmese king Bodawpaya invaded and removed the protector of the country,
the Mahamuni image, to his capital at Amarapura. Two hundred thousand
Arakanese are said to have fled to In¬dia. These events laid the seeds
for the first Anglo-Burmese war, fought in Arakan in 1825. The
conquerors found the old city of Mrauk-U pestilential to its troops, and
removed them to a small fishing village at the mouth of the Kaladan
River, which today remains the capital of Rakhaing State of Sittwe.
Our Agenda for 2013
Arakan History and Culture Forum in Europe
27 July 2013
Arakan History Seminar
1st October 2013
Haarlem Hotel
Heart Concert for AID
22nd December 2013
Administration and reception: Correspondence address
THEATER
DE LUIFEL THEATER
DE LUIFEL
Herenweg 96 PO
Box 578 - 2100 AN Heemstede
2101 MP Heemstede Tel (023) 548 38 28
(023) 548 38 28 Fax (023) 548 38 29 Fax (023) 548 38 29
2101 MP Heemstede Tel (023) 548 38 28
(023) 548 38 28 Fax (023) 548 38 29 Fax (023) 548 38 29
Challenges for Democratic Reforms in Burma
Perspectives for Dutch and European Policy
31 st December 2013
Monday, June 10, 2013
Arakanese Culture and Society
Culture & Society
The Arakanese are predominantly Theravadan Buddhists. They claim to be one of the first groups to become followers of the Buddha in Southeast Asia. The Arakanese culture is based on Theravada Buddhism and
has more Indo-Aryans culture influence, likely due to its geographical
isolation from the Burmese mainland divided by the Arakan Roma and
closer proximity to South Asia. Traces of Indian influence remain in many aspects of Arakanese culture, including its literature, music, and cuisine.
Traditional Arakanese (Rakhine) Water Festival - Rakhine Thungran
Traditional Rakhine Thungran is celebrated on 13-17 April every year, it''s also known as the Water Festival. Traditionally there is a festival for each of the twelve months. Thungran is on Tangu, the first lunar month of Rakhine calendar. Thungran means passing from one year to another.
When the whistle blows, it means that the time is up. The next group takes the place opposite the girls of their choice. The boy invites the girl to join him for the water festival, he greets her with a cupful of water gently thrown her back.. The girl gets up and throws a bowl of water at him. He calls her "Maree", sister-in-law, before he politely asks for some water. The girl fills his bucket with water. He takes a cup of water from his bucket and throws it at her. She throws him a bowl of water from the boat. They play face-to-face, faster and faster If some-one''s cup drops down or he/she wipes his/her face, that will be a looser, as must pay a fine. A group is allowed to enjoy themselves for about 15 minutes. There are whole pandals filled with water sparks. After the pandals close the members of the pandals go around the city in the lorries. The Water Festival Celebration goes for three days in the cities but in the countryside it''s celebrated until the end of the month.
During the Thungran days, every house cooks some traditional food and sends it to monasteries. Also they send food to relatives and neighbors then, everywhere is filled of music until midnight.
On New Year Day, the cultural association group goes around, suburb to suburb, and gives respect to the oldest people by prayer, singing, dancing and presents.
It is the most joyful celebration of the year.
Traditional Arakanese (Rakhine) Water Festival - Rakhine Thungran
Traditional Rakhine Thungran is celebrated on 13-17 April every year, it''s also known as the Water Festival. Traditionally there is a festival for each of the twelve months. Thungran is on Tangu, the first lunar month of Rakhine calendar. Thungran means passing from one year to another.
The
New Year, Thungran Celebration, symbolizes the feast of washing away
the old year clean. Traditional Rakhine Thungran is held in three stages
which are: incense - grinding, offering of water to Buddha images and
holding the water festival. There are four days of holiday.
All
marketing and shopping are closed. Before the arrival of Thungran,
everyone''s household must be cleaned. On 12th April, the eve of
Thungran, young women prepare the scented water at night. To make the
scented water, a piece of sandal-wood is rubbed with a little water
added on the surface of a flat, circular stone plate surrounded by a
sunken ring to collect the mixture.
Young men
come and join them accompanied by music and dance, and then they make
beautiful bamboo trees with hanging things to offer to the monasteries.
They are called the "Padetharpon".On 13th April, the opening day of
Thungran, young men-women, children and parents go to monasteries in
lorries bringing scented water and "Padetharpon" (bamboo trees).
When
they arrive at the monastery compound the girls carry the water and the
boys wash the Buddha images and statues, then offer scented water to
the Buddha images. They go around from one monastery to another offering
one "Padetharpon" to each monastery. Before bathing the Buddha no one
is allowed to play with water.
When they return
home from visiting the monasteries, anyone can throw water at the
lorries carrying people. The Water Festival starts the next day. In
every suburb they make a beautiful pandal with wooden posts surrounded
by toddy palm leaves hanging with green bunches of leaves and colourful
flowers. In the middle of the pandal there is a wooden rowboat filled
with water. In front of the boat there are benches in a single row which
provide seats for the girls. A fence is placed three feet above the
ground. It serves as the divider between males outside the pandal and
females inside the pandal. Rakhine girls who are pandal members run the
pandal. There are usually twenty to forty young girls at a pandal. The
girls sit on the benches facing the boat, they wear the same colour and
designed uniform. They all look alike from the rear. It is hard to tell
the girls apart. The pandals open from 11.00am to 3.00pm.
The
boys go around the city one pandal after another. The boy can choose
the girl he likes as his mate and chat with her teasingly but politely.
The boys come on foot and in the bullock carts with music instruments
and utensil boards. Every group has to wait for its turn while the other
group is enjoying the water festival in the pandal. While they are
waiting for their turn, there is singing and dancing in the fore ground.
When the whistle blows, it means that the time is up. The next group takes the place opposite the girls of their choice. The boy invites the girl to join him for the water festival, he greets her with a cupful of water gently thrown her back.. The girl gets up and throws a bowl of water at him. He calls her "Maree", sister-in-law, before he politely asks for some water. The girl fills his bucket with water. He takes a cup of water from his bucket and throws it at her. She throws him a bowl of water from the boat. They play face-to-face, faster and faster If some-one''s cup drops down or he/she wipes his/her face, that will be a looser, as must pay a fine. A group is allowed to enjoy themselves for about 15 minutes. There are whole pandals filled with water sparks. After the pandals close the members of the pandals go around the city in the lorries. The Water Festival Celebration goes for three days in the cities but in the countryside it''s celebrated until the end of the month.
During the Thungran days, every house cooks some traditional food and sends it to monasteries. Also they send food to relatives and neighbors then, everywhere is filled of music until midnight.
On New Year Day, the cultural association group goes around, suburb to suburb, and gives respect to the oldest people by prayer, singing, dancing and presents.
It is the most joyful celebration of the year.
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